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| Clive Doig |
| Tony's amazing ability to project himself above his mammoth drawings on the ground, to actually see in his mind's eye the change of perspective from a high oblique camera angle, when drawing a perfect circle or an elephant, was awe-inspiring. Then there were Tony's own paintings and drawings, collages of seeds or beans, bits of toilet paper, sand, rocks, gliteer and paint splashes which came to immediate life so quickly as recognizable animals, landscapes, portraits, industrial scenes, etc.. "Vision On" was the starting block for many very talented people and I am proud to have worked for so long on the series, and especially with Tony Hart, one of the greatest TV talents of them all." Clive Doig |
| Clive Doig ('Vision On' Director) |
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"Tony Hart's giant pictures for 'Vision On' - first of all drawn with white-lining machines on tarmac (usually filmed at Bound's Green Fire Station from the dizzy heights of the escape tower), then with massive sand drawings filmed from cliffs in the Isle of White or cherry-pickers in Weston Super Mare, drawn with rakes or motorbikes pulling ploughshares and also 1 mile wide immense drawings rolled out across the hills of Devil's Dyke in Surrey with roller towels. All added to the mesmera of new surreal television experiences. |
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